Maloya star Firmin ViryLa Réunion was colonized by the French in the latter part of the 17th century. The present-day population of 781,000 inhabitants is a mix of French, Africans, Chinese, Malays, and Indians. This modern and prosperous island is largely dependent on tourism and financial support from ‘la métropole’ (mainland France). Showcasing the musical diversity of the 23 countries that border the Indian Ocean, the French organisation Scènes Austral, in partnership with the European Union and the Regional Council, presented the third edition of IOMMA, the Indian Ocean Music Market, which was held from the 4th till the 6th of June. After two successful editions, IOMMA has positioned itself at the crossroads of the music industry in the region. Over three days, more than 250 local and international delegates (festival organizers, promoters, artists, managers and journalists ) from South Africa, Madagascar, Mayotte, Maurice, the Seychelles, India, Tanzania, Australia, and (of course) France convened for a program of panel discussions, workshops, and music showcases. IOMMA producer Jérome Galabert explained: ‘We want to promote the music of the Indian Ocean and enable artists to get exposure and to export themselves to major new markets throughout the world. IOMMA also offers help to Indian Ocean entrepreneurs and companies to find new markets within the region and worldwide. We have to raise the level of the professionals in our region. That’s why it’s very important to share our experience with the rest of the world. We also need to keep the IOMMA small. I don’t want IOMMA becoming a new WOMEX or Babel Med’.
Tilon- the giant of maloya
Immediately following IOMMA was the 10th edition of SAKIFO ( Creole for ‘This is what you need’) , a four night public festival held in a 4.5 acre park on the beautiful beaches of St. Pierre. This festival, spread across six stages, is also run by Jérome Galabert and was attended by approximately 20,000 people.The music offered ranged from local fanfare and maloya to such international acts as festival opener Manu Chao, funk from the Hypnotic Brass Ensemble (USA), Congolese soukous from Black Bazar, French pop-rock star Cali, Malian superstar Salif Keita, hip hop from Cody Chesnutt , high energy tsapiky from Jaojoby (Madagascar), and Californian roots reggae from Groundation. Despite this great line up, I spent most of the time in the very cozy Salle Verte, a simple hut made of bamboo leaves, where local maloya musicans, including Tiloun, came together for hours-long jam sessions. The energy that those musicians evoked was truly incredible.
Tiloun performing in Salle VerteCreole poetry, maloya, rock and trance were the lyrical ingredients utilized by the popular Réunion singer Nathalie Natiembé. Christine Salem, a queen of maloya, gave a mindblowing performance, using her powerful deep voice to resonantly delivered songs in Creole, Malagasy, Comorian and Swahili, while subtly mixing Indian Ocean and African rhythms. Accompanied by three tight percussionists, the passionate Salem delved deeply into the traditional music and rhythms of both her native island and the entire Indian Ocean. The unforgettable week at La Réunion ended with a free concert on Sunday morning from the 78 years old maloya veteran Firmin Viry, who gave an energetic performance on a stage situated right on the beach of Terre Sainte. The crowd was driven mad by this incredible charming performer, who was spurred on by up to 10 percussionists and support from Danyèl Waro, Tiloun, and Maya Kamaty. Maloya, which once barely hung on as a half-remembered folk tradition, is clearly more alive than ever. -Bastiaan Springer, producer for Radio 5 in the Netherlands and world music journalist