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Youssou N'Dour and partners premiere "Africa Live: The Roll Back Malaria Concert"


Youssou, Angelique, and filmmaker Mick Czáky

Youssou N'Dour, Angelique Kidjo, the United Nations Foundation, the Roll Back Malaria Partnership, and other project partners premiered the powerful film "Africa Live: The Roll Back Malaria Concert" at the United Nations Wednesday evening March 29th. The film features rousing performances a year ago in Dakar Senegal by an all star Afropop lineup--Youssou N'Dour, Baaba Maal, Angelique Kidjo, Seun Kuti (son of Fela) with Egypt 80 and guest artists Tony Allen and Manu Dibango, Tinariwen, Corneille, Tiken Jah Fakoly with fearless Senegalese rapper Didier Awadi.  The nationwide broadcast premiere on PBS is set for Thursday, April 6th at 8 pm.


(c) 2006 Sean Barlow

Before the screening, a brief panel discussion addressed the film's underlying theme of tacklilng the deadly scourge of malaria, the primary cause of child mortality in Africa.  Malaria kills over 3,000 children every day in Africa!  More than HIV/AIDS which gets a lot more attention. Every year up to 500 million cases of malaria are being reported with more than two million deaths.


Roll Back Malaria, stage shot

Panelist Jeffery Sachs, Director of the Earth Institute at Columbia University, said, "Malaria is a tragedy that has to end now.  This is the number one solvable public health problem on the continent."  He noted that the three billion dollars needed to battle malaria in Africa is the bill for just two days of the war in Iraq (gobbling up 1.5 billion dollars a day.)  Sachs and other panelists said that the solution is already known--chemically treated bed nets for kids to sleep under for protection against malaria bearing mosquitos.  The problem is in raising adequate funds to purchase and distribute the nets (about $5 each.)


Angelique Kidjo performs

At the New York premiere, Youssou N'Dour spoke for all musicians who participated in the Roll Back Malaria concert when he said that the huge numbers of deaths due to malaria make him think of more than being a musician and entertainer.  He feels compelled to do something. It was his brainchild to create the concert.


Baaba Maal performing

The film itself, beautifully produced and directed by Mick Czáky, opens with a foreboding image.  A lone baobab tree stands in sandy orange soil against a cobalt blue sky with gleaming white houses in the distance.  Above circle a flock of large vultures, croaking their ugly sound.  Vultures reappear throughout the film, a haunting symbol of malaria preying on African children.  The vulture cries crossfade to the soulful sound of Angelique Kidjo singing the classic African anthem "Malaika."  And the film rolls on from there.


Goodwill ambassadors; Youssou and Angelique

The film itself projects a strong, positive image.  The message is that when concerned people pull together, great things can be done.  Some 50,000 people over two nights watched the concert live in Dakar.  The audience was mostly youngsters in their teens adn twenties.  The excitement and light in their eyes show the world the smile and soul of an Africa truly alive. So far, an estimated one billion people in Africa and Europe have seen the film. It's time for North America to step up to the plate.



Youssou introduces Baaba Maal on stage

Highlights in the concert film include Youssou walking on stage with his arm around the back of Baaba Maal for mutual praise before Baaba Maal launches into a spine-tingling performance of "Mbaye."  Seun Kuti evokes the spirit of his father Fela as he fronts a band with many of the same musicians as Fela's Egypt 80.  Seun wrote a special song for the concert "Mosquito Song" which he acted out on stage, swatting all over his body.  Tiken Jah Fokoly, Ivorian reggae star, laid the groove for Didier Awadi, one of the original driving forces in the early 1990s of the Senegalese rap movement (Dakar now boasts some 5,000 rap groups).  Didier rapped "Quitte Le Pouvoir/Get out of Office" castigating the presidents in Africa who he says are corrupt and "steal from the people."  The crowd roared their approval.


Corneille performs

An artist, new to many U.S. Afropop fans most likely, is Corneille from Rwanda.  The Senegalese girls screamed for this crooner and shouted out all the lyrics to his song.  It felt like the hysteria of an early Beatles movie!  Earlier in the film Corneille spoke emotionally about this being the first time he has stepped foot on the continent since he fled the genocide in Rwanda in 1994 when many of his immediate family were killed.


Reutersward's

Angelique Kidjo returned at the end of the film to pick up from the beginning with an intimate close up of her performance of "Malaika."  A strong ending to a well crafted film.

As Youssou said at the New York premiere, the "Africa Live: Roll Back Malaria Concert" and film was an historic team effort with celebrity artists, NGOs and corporate sponsors all working together.  Youssou thanked the sponsors--Sumitomo Chemicals (which makes the bed nets), Exxon Mobile, Novartis and the United Nations Foundation.

Concerned citizens who would like to make a financial contribution to the Roll Back Malaria cause can do so through the U.N. Foundation.  The U.N. Foundation doesn't charge any overhead ensuring that all of the money goes towards the anti-malaria cause. More information:

http://www.unfoundation.org/donate/malaria.asp.

DVDs of the Africa Live concert will be available at Virgin Megastores soon and Virgin will give one mosquito net for every DVD sold.

The other way you can help is to spread the word about the broadcast of "Africa Live: The Roll Back Malaria Concert" to friends and colleagues.  It will air on PBS Thursday, April 6th at 8 pm (or check out www.pbs.org for listings in your area).  And be sure to tell your PBS station that you appreciate this program.

FOR MORE RESOURCES:

PBS Newshour "Fighting Malaria in Africa"

Photos from the "Africa Live: The Roll Back Malaria concert" used courtesy of producer: Antelope/Idéale Audience in association with Xippi and PBS.


Contributed by: Sean Barlow

First published: www.afropop.org

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