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We explore the current pop music of Ghana and Cote d'Ivoire, two countries where elements of hip-hop and international pop music have grafted themselves onto local styles to create whole new genres-ones robust enough to not only take over the local youth culture but also spread beyond their borders. In Ghana, hip-life--a synthesis of hip-hop and highlife-dukes it out with gospel music on the airwaves. In Cote d'Ivoire, music has blossomed despite a stubborn political crisis. The idiosyncratic local music of social comment, zouglou, has morphed into coupe-décalé, a dance-driven style that has supplanted Congolese soukous as the sound of the moment in Francophone Africa and its Diaspora. |
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