Blog October 6, 2014
Bobby McFerrin Meets Africa in New York !
“Bobby Meets Africa in New York”
Sat., Nov. 1, 2014
Brooklyn Center for the Performing Arts at Brooklyn College
Walt Whitman Theater
Ten-time Grammy-winning vocalist Bobby McFerrin has been shattering audience preconceptions for more than three decades. His solo concerts are legendary, and his collaborations with jazz ensembles, symphony orchestras, dancers, singers and pop stars have won him accolades around the world. Bobby is an improviser who lives to embrace the moment. He loves to make purely spontaneous, unrehearsed music, and to bring audiences into the joyful experience of creation and collaboration between artists with different backgrounds and expectations. The “Bobby Meets…” series has given him a chance to work with spectacular musicians from Ireland, Indonesia, Israel, Prague, Cleveland, Shanghai and more. "Bobby Meets Africa in New York" will feature Bobby along with an ensemble of some of the greatest African musicians resident in New York City. You can purchase tickets HERE. “Bobby Meets Africa in New York City” is produced by Linda Goldstein/Original Artists. The concert is curated by Sean Barlow and Banning Eyre of public radio’s Afropop Worldwide (heard locally on WNYE 91.5 FM and on afropop.org). Brooklyn Center for the Performing Arts at Brooklyn College’s presentation of “Bobby Meets Africa in New York” is made possible, in part, by Con Edison and WFUV Radio. New York has long been a haven for African musical talent. This polyglot city of opportunity is now home to significant African communities, particularly from West African countries like Mali, Guinea, Ivory Coast and Senegal. But the scene is competitive, and the artists who’ve succeeded here must be excellent and adaptable. They must be accomplished enough to satisfy connoisseurs within their community, and savvy enough to make alliances and collaborate with accomplished artists in genres like jazz, classical and pop. The artists in this program more than meet that challenge. They come from two distinct traditions, both of which strongly emphasize improvisation. The first is an ensemble of Mande griots—praise musicians and oral historians whose tradition dates back to the vast Mande Empire of the 12th and 13th centuries. Abdoulaye Diabaté (Mali) and Bébé Camara (Guinea) are supremely talented vocalists, whose mastery of the Mande repertoire, and capacity to shape their words and musical choices to inspire and excite whatever audience is before them, has to be seen to be believed. Accompanying them are Malians Yacouba Sissoko (on 21-string kora), Mafa Diabaté (on the spike lute called ngoni), Toumani Diabaté (Abdoulaye’s prodigy son, on the wooden-slatted balafon), and Idrissa Koné (on the talking drum known as tama). Each of these artists has his own impressive resume, including collaborations with Yoyo Ma, Regina Carter, Paul Simon and many popular, jazz, classical and experimental artists around the country and the world.
